The House in the Wood
by Andrew Lang · from The Pink Fairy Book
Adapted Version
A poor cutter lived near a big forest. He had a wife and three girls.
He said, "Send our first girl with lunch."
The first girl took the soup. But birds ate all the seeds. She was lost. She walked until night. She saw a light. She found a house.
She knocked. A voice said, "Come in!" An old man sat. Rooster, hen, and cow were by the stove.
Old man asked beasts, "What do you say?"
"Duks!" they said.
The old man said, "Go cook supper."
The girl cooked food. She ate with the old man. She did not feed the beasts.
She said, "I am tired. Where is my bed?"
The beasts said, "You ate with him. You drank with him. You did not think of us. Now sleep as you ought!"
The old man said, "Go sleep in a cold room to learn."
The next day, the father sent the second girl. Birds ate the seeds. She got lost. She found the house.
The old man asked the beasts. They said, "Duks!" The girl cooked and ate. She did not feed the beasts.
The beasts said the same rhyme. She also had to stay in the cold room.
On the third day, the father sent the kind girl. Birds ate the seeds. She got lost. She found the house.
The old man asked the beasts. They said, "Duks!" The kind girl stroked the rooster and the hen. She scratched the cow.
She cooked supper. Then she gave the beasts food and water first. She ate last.
The beasts said, "You ate with us. You drank with us. You cared for us. So we wish you good night!"
The kind girl went to sleep. At night, there was a loud noise. The house shook. Then it was quiet.
In the morning, she woke in a big, pretty palace. Helpers came to her.
A young prince came in. He said, "I was the old man. A witch cursed me. My helpers were the beasts. Your kindness broke the spell. Will you marry me?"
The kind girl said yes. Her parents came to the palace. Her sisters had to help with chores and learn kindness.
The kind girl and the prince were happy. Being kind to all brings joy.
Original Story
The House in the Wood
From the German of Grimm.
A poor woodcutter lived with his wife and three daughters in a little
hut on the borders of a great forest.
One morning as he was going to his work, he said to his wife, ‘Let our
eldest daughter bring me my lunch into the wood; and so that she shall
not lose her way, I will take a bag of millet with me, and sprinkle the
seed on the path.’
When the sun had risen high over the forest, the girl set out with a
basin of soup. But the field and wood sparrows, the larks and finches,
blackbirds and green finches had picked up the millet long ago, and the
girl could not find her way.
She went on and on, till the sun set and night came on. The trees
rustled in the darkness, the owls hooted, and she began to be very much
frightened. Then she saw in tile distance a light that twinkled between
the trees. ‘There must be people living yonder,’ she thought, ‘who will
take me in for the night,’ and she began walking towards it.
Not long afterwards she came to a house with lights in the windows.
She knocked at the door, and a gruff voice called, ‘Come in!’
The girl stepped into the dark entrance, and tapped at the door of the
room.
‘Just walk in,’ cried the voice, and when she opened the door there sat
an old gray-haired man at the table. His face was resting on his hands,
and his white beard flowed over the table almost down to the ground.
By the stove lay three beasts, a hen, a cock, and a brindled cow. The
girl told the old man her story, and asked for a night’s lodging.
The man said:
Pretty cock,
Pretty hen,
And you, pretty brindled cow,
What do you say now?
‘Duks,’ answered the beasts; and that must have meant, ‘We are quite
willing,’ for the old man went on, ‘Here is abundance; go into the back
kitchen and cook us a supper.’
The girl found plenty of everything in the kitchen, and cooked a good
meal, but she did not think of the beasts.
She placed the full dishes on the table, sat down opposite the
gray-haired man, and ate till her hunger was appeased.
When she was satisfied, she said, ‘But now I am so tired, where is a bed
in which I can sleep? ‘
The beasts answered:
You have eaten with him,
You have drunk with him,
Of us you have not thought,
Sleep then as you ought!
Then the old man said, ‘Go upstairs, and there you will find a bedroom;
shake the bed, and put clean sheets on, and go to sleep.’
The maiden went upstairs, and when she had made the bed, she lay down.
After some time the gray-haired man came, looked at her by the light
of his candle, and shook his head. And when he saw that she was sound
asleep, he opened a trapdoor and let her fall into the cellar.
The woodcutter came home late in the evening, and reproached his wife
for leaving him all day without food.
‘No, I did not,’ she answered; ‘the girl went off with your dinner. She
must have lost her way, but will no doubt come back to-morrow.’
But at daybreak the woodcutter started off into the wood, and this time
asked his second daughter to bring his food.
‘I will take a bag of lentils,’ said he; ‘they are larger than millet,
and the girl will see them better and be sure to find her way.’
At midday the maiden took the food, but the lentils had all gone; as on
the previous day, the wood birds had eaten them all.
The maiden wandered about the wood till nightfall, when she came in
the same way to the old man’s house, and asked for food and a night’s
lodging.
The man with the white hair again asked the beasts:
Pretty cock,
Pretty hen,
And you, pretty brindled cow,
What do you say now?
The beasts answered, ‘Duks,’ and everything happened as on the former
day.
The girl cooked a good meal, ate and drank with the old man, and did not
trouble herself about the animals.
And when she asked for a bed, they replied:
You have eaten with him
You have drunk with him,
Of us you have not thought,
Now sleep as you ought!
And when she was asleep, the old man shook his head over her, and let
her fall into the cellar.
On the third morning the woodcutter said to his wife, ‘Send our youngest
child to-day with my dinner. She is always good and obedient, and will
keep to the right path, and not wander away like her sisters, idle
drones!’
But the mother said, ‘Must I lose my dearest child too?’
‘Do not fear,’ he answered; ‘she is too clever and intelligent to lose
her way. I will take plenty of peas with me and strew them along; they
are even larger than lentils, and will show her the way.’
But when the maiden started off with the basket on her arm, the wood
pigeons had eaten up the peas, and she did not know which way to go. She
was much distressed, and thought constantly of her poor hungry father
and her anxious mother. At last, when it grew dark, she saw the little
light, and came to the house in the wood. She asked prettily if she
might stay there for the night, and the man with the white beard asked
his beasts again:
Pretty cock,
Pretty hen,
And you, pretty brindled cow,
What do you say now?
‘Duks,’ they said. Then the maiden stepped up to the stove where the
animals were lying, and stroked the cock and the hen, and scratched the
brindled cow between its horns.
And when at the bidding of the old man she had prepared a good supper,
and the dishes were standing on the table, she said, ‘Shall I have
plenty while the good beasts have nothing? There is food to spare
outside; I will attend to them first.’
Then she went out and fetched barley and strewed it before the cock and
hen, and brought the cow an armful of sweet-smelling hay.
‘Eat that, dear beasts,’ she said,’ and when you are thirsty you shall
have a good drink.’
Then she fetched a bowl of water, and the cock and hen flew on to the
edge, put their beaks in, and then held up their heads as birds do when
they drink, and the brindled cow also drank her fill. When the beasts
were satisfied, the maiden sat down beside the old man at the table and
ate what was left for her. Soon the cock and hen began to tuck their
heads under their wings, and the brindled cow blinked its eyes, so the
maiden said, ‘Shall we not go to rest now?’
Pretty cock,
Pretty hen,
And you, pretty brindled cow,
What do you say now?
The animals said, ‘Duks:
You have eaten with us,
You have drunk with us,
You have tended us right,
So we wish you good night.’
The maiden therefore went upstairs, made the bed and put on clean sheets
and fell asleep. She slept peacefully till midnight, when there was such
a noise in the house that she awoke. Everything trembled and shook; the
animals sprang up and dashed themselves in terror against the wall; the
beams swayed as if they would be torn from their foundations, it seemed
as if the stairs were tumbling down, and then the roof fell in with a
crash. Then all became still, and as no harm came to the maiden she lay
down again and fell asleep. But when she awoke again in broad daylight,
what a sight met her eyes! She was lying in a splendid room furnished
with royal splendour; the walls were covered with golden flowers on a
green ground; the bed was of ivory and the counterpane of velvet, and on
a stool near by lay a pair of slippers studded with pearls. The maiden
thought she must be dreaming, but in came three servants richly dressed,
who asked what were her commands. ‘Go,’ said the maiden, ‘I will get up
at once and cook the old man’s supper for him, and then I will feed the
pretty cock and hen and the brindled cow.’
But the door opened and in came a handsome young man, who said, ‘I am a
king’s son, and was condemned by a wicked witch to live as an old man
in this wood with no company but that of my three servants, who were
transformed into a cock, a hen, and a brindled cow. The spell could only
be broken by the arrival of a maiden who should show herself kind
not only to men but to beasts. You are that maiden, and last night at
midnight we were freed, and this poor house was again transformed into
my royal palace.
As they stood there the king’s son told his three servants to go and
fetch the maiden’s parents to be present at the wedding feast.
‘But where are my two sisters?’ asked the maid.
‘I shut them up in the cellar, but in the morning they shall be led
forth into the forest and shall serve a charcoal burner until they have
improved, and will never again suffer poor animals to go hungry.’
Story DNA
Moral
True kindness, extended even to the humblest creatures, is rewarded, while selfishness leads to misfortune.
Plot Summary
A poor woodcutter's three daughters are sent one by one to bring him lunch in the forest, but each gets lost and finds a mysterious house inhabited by an old man and three talking animals. The first two daughters are selfish, neglecting the animals, and are imprisoned in a cellar. The youngest daughter, however, shows genuine kindness to the enchanted animals, feeding and caring for them before herself. Her compassion breaks a witch's spell, transforming the house into a palace and the old man into a prince, who then marries her and ensures her sisters learn their lesson.
Themes
Emotional Arc
distress to joy
Writing Style
Narrative Elements
Cultural Context
This story is a variant of a common European folktale motif where a protagonist's kindness to animals or magical beings leads to their reward, often involving breaking a spell or gaining wealth/status. The 'rule of three' is a common narrative device in such tales.
Plot Beats (13)
- A poor woodcutter sends his eldest daughter to bring him lunch, marking the path with millet.
- Birds eat the millet, the daughter gets lost, and finds a mysterious house with an old man and three talking animals (cock, hen, cow).
- The old man asks the animals if she can stay; they reply 'Duks'.
- The eldest daughter cooks for herself and the old man but neglects the animals, then asks for a bed.
- The animals respond with a rhyme about her selfishness, and the old man sends her to bed, later dropping her into a cellar.
- The second daughter is sent with lentils, gets lost, and repeats the same selfish actions as her sister, also ending up in the cellar.
- The youngest daughter is sent with peas, gets lost, and finds the house.
- The youngest daughter, upon hearing the animals' 'Duks', shows kindness by stroking them and then feeding and watering them before eating herself.
- The animals respond with a rhyme acknowledging her kindness, and she goes to bed.
- At midnight, a great noise and shaking occurs, and the house transforms.
- The maiden wakes in a splendid palace, attended by servants.
- A handsome young man reveals he is a prince, cursed by a witch, and his servants were the animals; her kindness broke the spell.
- The prince proposes marriage and sends for her parents, while her sisters are to be released from the cellar to work for a charcoal burner until they improve.
Characters
Woodcutter ◆ supporting
Poor, works in the woods.
Attire: Simple, practical clothing suitable for working in the forest, likely made of rough cloth.
Industrious, concerned for his family, but somewhat oblivious to his daughters' well-being.
Image Prompt & Upload
A sturdy man in his late 30s with a short, rough beard and weathered skin, wearing a faded red plaid shirt under worn, brown leather suspenders. His dark hair is messy and damp with sweat. He holds a large, sharp axe resting on his shoulder, its wooden handle smooth from use. His expression is tired but determined, standing with a slight forward lean as if pausing mid-work. He is in a sun-dappled forest clearing with chopped logs at his feet. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Eldest Daughter ○ minor
Not explicitly described.
Attire: Simple peasant dress, appropriate for a woodcutter's daughter in a German fairy tale setting.
Careless, self-centered, unobservant.
Image Prompt & Upload
A young girl of about ten or twelve years old with a serious, responsible expression. She has long, neatly braided brown hair tied with a simple ribbon. She wears a modest, long-sleeved peasant dress of faded blue linen with a patched white apron. She stands straight, holding a woven basket filled with herbs and wildflowers against her hip. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Second Daughter ○ minor
Not explicitly described.
Attire: Simple peasant dress, appropriate for a woodcutter's daughter in a German fairy tale setting.
Careless, self-centered, unobservant.
Image Prompt & Upload
A young girl around ten years old with a slender build. She has shoulder-length, wavy chestnut hair partly tied back with a simple ribbon. Her dress is a modest, earth-toned linen frock with a white apron, showing signs of mending. She stands with a straight but relaxed posture, her hands gently clasped in front of her. Her expression is neutral and observant, with a hint of quiet curiosity. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Youngest Daughter ★ protagonist
Not explicitly described.
Attire: Simple peasant dress, appropriate for a woodcutter's daughter in a German fairy tale setting.
Kind, compassionate, thoughtful, obedient.
Image Prompt & Upload
A young woman in her late teens with a kind and gentle expression, soft brown eyes, and a warm, hopeful smile. She has long, wavy chestnut hair that falls loosely over her shoulders. She is wearing a simple, modest dress of faded blue linen with long sleeves and a slightly tattered hem, suggesting humble origins. Her posture is open and slightly curious, with her hands clasped softly in front of her. She stands in a classic, graceful pose. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Old Man/King's Son ◆ supporting
Initially appears as an old man with gray hair and a long white beard.
Attire: Simple, old-fashioned clothing as an old man; later, royal garments as a king's son.
Initially appears mysterious and potentially sinister; later revealed to be kind and grateful.
Image Prompt & Upload
An elderly man with a long, flowing white beard and deep wrinkles around his kind, wise eyes. He wears a simple yet richly embroidered tunic of deep blue velvet over a white undershirt, with a modest gold circlet resting on his balding head. His posture is slightly stooped but dignified, leaning on a carved wooden staff. He has a gentle, contemplative expression. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Cock ◆ supporting
Not explicitly described, but implied to be a healthy, well-fed rooster.
Attire: Feathers
Helpful, appreciative, and under a magical spell.
Image Prompt & Upload
A proud anthropomorphic rooster standing upright on two legs, vibrant red and gold plumage with iridescent green tail feathers, a bright red comb atop his head, wearing a small embroidered vest and a feathered cape draped over his shoulders, confident posture with chest puffed out, one wing resting on his hip, sharp intelligent eyes looking slightly to the side, detailed feather textures, fairy tale illustration style. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature
Hen ◆ supporting
Not explicitly described, but implied to be a healthy, well-fed hen.
Attire: Feathers
Helpful, appreciative, and under a magical spell.
Image Prompt & Upload
A plump, anthropomorphic hen with golden-brown feathers and a bright red comb stands upright on two sturdy legs. She wears a small, clean white apron over her chest feathers. Her expression is determined and kind, with a slightly tilted head. In one wing, she holds a sheaf of golden wheat. She has large, intelligent eyes and a sharp yellow beak. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Brindled Cow ◆ supporting
Brindled (streaked or spotted with color).
Attire: Fur
Helpful, appreciative, and under a magical spell.
Image Prompt & Upload
A gentle, plump dairy cow with a patchwork coat of brown and white brindle patterns. She has large, soft eyes and a calm, friendly expression, with a slight tilt of her head. She wears a simple straw hat perched between her ears and a small, blue gingham neckerchief tied around her neck. Her posture is relaxed and sturdy, standing on all fours in a sun-dappled meadow with a few daisies at her hooves. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations
Woodcutter's Hut
A little hut on the borders of a great forest
Mood: poor, humble
The woodcutter instructs his daughters to bring him lunch.
Image Prompt & Upload
Early morning mist clings to a weathered woodcutter's hut at the forest's edge. The small, single-room structure is built from rough-hewn logs, with a mossy thatched roof and a thin chimney trailing a whisper of smoke. A simple, sturdy door is closed, and a small, grimy window faces the viewer. A well-worn dirt path leads to the door before disappearing into the tall grass of a small clearing. The clearing is surrounded by the immense, dark trunks of an ancient forest, their canopy creating a deep green gloom. Shafts of golden morning light pierce through the mist, illuminating the dew on ferns and wildflowers near the hut's foundation. The air is still and quiet, with a sense of peaceful isolation. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Great Forest Path
A path through a dense forest, initially marked with millet, lentils, or peas
Mood: eerie, disorienting, then hopeful
The daughters get lost while trying to deliver lunch.
Image Prompt & Upload
A winding dirt path cuts through an ancient, dense forest with towering oak and beech trees draped in moss. Scattered along the narrow trail are small piles of golden millet grains, earthy brown lentils, and round green peas acting as breadcrumb markers. Dappled golden sunlight filters through the thick canopy above, casting ethereal light beams across the forest floor carpeted with fallen leaves and delicate ferns. Mushrooms cluster at tree roots. The atmosphere is mystical and slightly mysterious, with soft morning mist clinging to the undergrowth. Rich emerald greens, warm amber tones, and deep forest shadows create a fairy tale palette. Ancient twisted tree trunks frame the path, their bark textured and covered in lichen. Wildflowers peek through the moss along the edges. The path disappears into shadowy depths ahead, inviting exploration. No border, no frame, no watermark, no text, no signature, edge-to-edge illustration
House in the Wood (Exterior)
A house with lights in the windows, seen twinkling between the trees in the distance
Mood: mysterious, potentially dangerous
The daughters find shelter, unaware of the house's true nature.
Image Prompt & Upload
Dusk settles over a dense, ancient forest of towering pines and gnarled oaks. A narrow, winding dirt path disappears into the deep blue shadows between the massive trunks. In the distance, nestled in a small clearing, a cozy half-timbered house with a thatched roof glows with warm, inviting light from its small, mullioned windows. The golden light spills out, illuminating patches of moss and ferns on the forest floor. Fireflies begin to blink in the deepening twilight. The sky above the tree line is a gradient of deep indigo and soft peach. The atmosphere is quiet, magical, and slightly mysterious. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
House in the Wood (Interior)
Dark entrance, room with an old gray-haired man at a table, white beard flowing down, three beasts (hen, cock, brindled cow) by the stove, back kitchen with plenty of food
Mood: strange, unsettling, magical
The youngest daughter shows kindness to the animals, breaking the spell.
Image Prompt & Upload
Dark wooden entrance hallway leading into a warm, cluttered cottage room at evening. A single lantern on a worn table casts long shadows across uneven floorboards. A high-backed chair sits empty before the table. A large brick stove glows with embers, illuminating a sleeping hen, a rooster, and a brindled cow resting on a straw pile. In the background, an open doorway reveals a shadowy back kitchen with shelves laden with hanging herbs, sacks of grain, and jars of preserves. Dust motes float in the lantern light. Colors of deep brown, warm amber, and muted gray. Cozy, lived-in atmosphere with a sense of quiet waiting. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
Royal Palace Bedroom
Splendid room furnished with royal splendor, walls covered with golden flowers on a green ground, bed of ivory, counterpane of velvet, slippers studded with pearls
Mood: opulent, magical, transformed
The youngest daughter awakens to find the house transformed and the prince revealed.
Image Prompt & Upload
Late afternoon golden sunlight streams through tall arched windows, casting long shadows across a lavish royal bedroom. Walls are covered in intricate hand-painted wallpaper of emerald green adorned with raised, gilded floral motifs. A magnificent canopied bed of carved ivory stands centrally, draped in sumptuous deep green velvet with gold thread embroidery. Polished marble floors reflect the light, and near the bed rest delicate slippers studded with lustrous pearls. Ornate gilded furniture and a large crystal chandelier complete the scene of opulent, silent grandeur. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration