Samba the Coward

by Andrew Lang · from The Olive Fairy Book

fairy tale transformation hopeful Ages 8-14 2738 words 12 min read
Cover: Samba the Coward

Adapted Version

CEFR A1 Age 5 702 words 4 min Canon 100/100

Once, there was a prince named Samba. He was afraid of everything. Loud sounds scared him. Dark nights made him hide. He feared animals and storms. He never played outside. His father, the king, felt sad. The people in the kingdom worried. They wanted a brave prince.

One day, bad men came to their land. They stole sheep from the fields. The bad men were loud and mean. They took many sheep. Samba heard the noise. He ran to his small hut. His friends saw him hide. They were upset with him. They called him "Samba the Coward."

Samba felt very sad about this. He decided to leave his home. He packed some food. He said goodbye to no one. He rode a horse to a new city. The journey was long and scary. The road was bumpy. He saw new places. He felt alone but hopeful. But Samba kept going, hoping for happiness.

In the new city, a princess saw Samba. She liked him very much. The princess was kind and pretty. She smiled at Samba. She wanted to marry him. Her father, the king, said yes. They had a happy wedding. The wedding was big and fun. The whole city came to celebrate. People ate and danced together. Everyone was happy.

The princess loved Samba a lot. She hoped he could be brave. She dreamed of a brave husband. She wanted him to be a hero. She told Samba stories of heroes. She believed in him. Samba listened and hoped. She often told him kind words. She encouraged him every day.

One day, bad men attacked the city. The city was under attack. People ran and hid. Samba was very scared. He hid in the cellar. The princess was brave. She found a safe cellar. She acted fast. She wore Samba's armor. She put on heavy armor. She gathered the soldiers. She led the soldiers to fight. They fought hard. They won the battle. The enemies were defeated. The people cheered for her.

The princess came back home. She returned victorious. She put armor on Samba. She dressed Samba in armor. She told all people he was the hero. She announced his bravery. The crowd believed her. The people cheered for Samba. They lifted Samba up. They sang songs for him. They were very happy. They thought he was strong.

The bad men came again. The princess fought them bravely. She got a small scratch on her arm. She went to Samba. "I am hurt," she said. "You must be brave now." Samba was scared. The princess helped him. She pretended to be in pain. She asked Samba to be strong. Samba trembled but agreed. She told all people he was hurt. The princess told everyone he was hurt in battle.

The bad men came back again. The princess had a clever plan. "My scratch hurts," she said. "You must go to the battle place." The princess whispered a plan to Samba. She said he must go to the battle. Samba rode his horse. The princess helped the horse. She guided his horse gently. The horse ran to the fight. The horse moved towards the fight.

Samba was in the battle. He had to fight. He faced the enemies. He remembered his wife's words. He found his courage inside. He fought with all his courage. He fought bravely. His courage grew. He led the charge. He won the battle. The bad men were scared. They ran away. They fled away.

Samba came back a true hero. He felt proud of himself. He realized he could be brave. He thanked his wife silently. He went to the king. "My wife helped me," he said. "She made me brave." Samba told the king the truth. He praised his wife's help. The king was happy. The king listened carefully. He was proud of both. He thanked them both. All people cheered. They had a big party. The kingdom celebrated for days. There was music and food.

Samba smiled at his wife. "Anyone can be brave," he said. "With help from friends." Samba and his wife were happy. They knew courage comes with support. They lived with joy. The kingdom was safe and happy.

Original Story 2738 words · 12 min read

SAMBA THE COWARD

In the great country far away south, through which flows the river

Nile, there lived a king who had an only child called Samba.

Now, from the time that Samba could walk he showed signs of being

afraid of everything, and as he grew bigger he became more and more

frightened. At first his father's friends made light of it, and said

to each other:

'It is strange to see a boy of our race running into a hut at the

trumpeting of an elephant, and trembling with fear if a lion cub half

his size comes near him; but, after all, he is only a baby, and when

he is older he will be as brave as the rest.'

'Yes, he is only a baby,' answered the king who overheard them, 'it

will be all right by-and-by.' But, somehow, he sighed as he said it,

and the men looked at him and made no reply.

The years passed away, and Samba had become a tall and strong youth.

He was good-natured and pleasant, and was liked by all, and if during

his father's hunting parties he was seldom to be seen in any place of

danger, he was too great a favourite for much to be said.

'When the king holds the feast and declares him to be his heir, he

will cease to be a child,' murmured the rest of the people, as they

had done before; and on the day of the ceremony their hearts beat

gladly, and they cried to each other:

'It is Samba, Samba, whose chin is above the heads of other men, who

will defend us against the tribes of the robbers!'

   *       *       *       *       *

Not many weeks after, the dwellers in the village awoke to find that

during the night their herds had been driven away, and their herdsmen

carried off into slavery by their enemies. Now was the time for Samba

to show the brave spirit that had come to him with his manhood, and to

ride forth at the head of the warriors of his race. But Samba could

nowhere be found, and a party of the avengers went on their way

without him.

It was many days later before he came back, with his head held high,

and a tale of a lion which he had tracked to its lair and killed, at

the risk of his own life. A little while earlier and his people would

have welcomed his story, and believed it all, but now it was too late.

'Samba the Coward,' cried a voice from the crowd; and the name stuck

to him, even the very children shouted it at him, and his father did

not spare him. At length he could bear it no longer, and made up his

mind to leave his own land for another where peace had reigned since

the memory of man. So, early next morning, he slipped out to the

king's stables, and choosing the quietest horse he could find, he rode

away northwards.

Never as long as he lived did Samba forget the terrors of that

journey. He could hardly sleep at night for dread of the wild beasts

that might be lurking behind every rock or bush, while, by day, the

distant roar of a lion would cause him to start so violently, that he

almost fell from his horse. A dozen times he was on the point of

turning back, and it was not the terror of the mocking words and

scornful laughs that kept him from doing so, but the terror lest he

should be forced to take part in their wars. Therefore he held on, and

deeply thankful he felt when the walls of a city, larger than he had

ever dreamed of, rose before him.

Drawing himself up to his full height, he rode proudly through the

gate and past the palace, where, as was her custom, the princess was

sitting on the terrace roof, watching the bustle in the street below.

'That is a gallant figure,' thought she, as Samba, mounted on his big

black horse, steered his way skilfully among the crowds; and,

beckoning to a slave, she ordered him to go and meet the stranger, and

ask him who he was and whence he came.

'Oh, princess, he is the son of a king, and heir to a country which

lies near the Great River,' answered the slave, when he had returned

from questioning Samba. And the princess on hearing this news summoned

her father, and told him that if she was not allowed to wed the

stranger she would die unmarried.

Like many other fathers, the king could refuse his daughter nothing,

and besides, she had rejected so many suitors already that he was

quite alarmed lest no man should be good enough for her. Therefore,

after a talk with Samba, who charmed him by his good humour and

pleasant ways, he gave his consent, and three days later the wedding

feast was celebrated with the utmost splendour.

The princess was very proud of her tall handsome husband, and for some

time she was quite content that he should pass the days with her under

the palm trees, telling her the stories that she loved, or amusing her

with tales of the manners and customs of his country, which were so

different to those of her own. But, by-and-by, this was not enough;

she wanted other people to be proud of him too, and one day she said:

'I really almost wish that those Moorish thieves from the north would

come on one of their robbing expeditions. I should love so to see you

ride out at the head of our men, to chase them home again. Ah, how

happy I should be when the city rang with your noble deeds!'

[Illustration: SAMBA FOUND SKULKING BY HIS WIFE]

She looked lovingly at him as she spoke; but, to her surprise, his

face grew dark, and he answered hastily:

'Never speak to me again of the Moors or of war. It was to escape from

them that I fled from my own land, and at the first word of invasion I

should leave you for ever.'

'How funny you are,' cried she, breaking into a laugh. 'The idea of

anyone as big as you being afraid of a Moor! But still, you mustn't

say those things to anyone except me, or they might think you were in

earnest.'

   *       *       *       *       *

Not very long after this, when the people of the city were holding a

great feast outside the walls of the town, a body of Moors, who had

been in hiding for days, drove off all the sheep and goats which were

peacefully feeding on the slopes of a hill. Directly the loss was

discovered, which was not for some hours, the king gave orders that

the war drum should be beaten, and the warriors assembled in the great

square before the palace, trembling with fury at the insult which had

been put upon them. Loud were the cries for instant vengeance, and for

Samba, son-in-law of the king, to lead them to battle. But shout as

they might, Samba never came.

And where was he? No further than in a cool, dark cellar of the

palace, crouching among huge earthenware pots of grain. With a rush of

pain at her heart, there his wife found him, and she tried with all

her strength to kindle in him a sense of shame, but in vain. Even the

thought of the future danger he might run from the contempt of his

subjects was as nothing when compared with the risks of the present.

'Take off your tunic of mail,' said the princess at last; and her

voice was so stern and cold that none would have known it. 'Give it to

me, and hand me besides your helmet, your sword and your spear.' And

with many fearful glances to right and to left, Samba stripped off

the armour inlaid with gold, the property of the king's son-in-law.

Silently his wife took, one by one, the pieces from him, and fastened

them on her with firm hands, never even glancing at the tall form of

her husband who had slunk back to his corner. When she had fastened

the last buckle, and lowered her vizor, she went out, and mounting

Samba's horse, gave the signal to the warriors to follow.

Now, although the princess was much shorter than her husband, she was

a tall woman, and the horse which she rode was likewise higher than

the rest, so that when the men caught sight of the gold-inlaid suit of

chain armour, they did not doubt that Samba was taking his rightful

place, and cheered him loudly. The princess bowed in answer to their

greeting, but kept her vizor down; and touching her horse with the

spur, she galloped at the head of her troops to charge the enemy. The

Moors, who had not expected to be so quickly pursued, had scarcely

time to form themselves into battle array, and were speedily put to

flight. Then the little troop of horsemen returned to the city, where

all sung the praises of Samba their leader.

The instant they reached the palace the princess flung her reins to a

groom, and disappeared up a side staircase, by which she could,

unseen, enter her own rooms. Here she found Samba lying idly on a heap

of mats; but he raised his head uneasily as the door opened and looked

at his wife, not feeling sure how she might act towards him. However,

he need not have been afraid of harsh words: she merely unbuttoned her

armour as fast as possible, and bade him put it on with all speed.

Samba obeyed, not daring to ask any questions; and when he had

finished the princess told him to follow her, and led him on to the

flat roof of the house, below which a crowd had gathered, cheering

lustily.

'Samba, the king's son-in-law! Samba, the bravest of the brave! Where

is he? Let him show himself!' And when Samba did show himself the

shouts and applause became louder than ever. 'See how modest he is! He

leaves the glory to others!' cried they. And Samba only smiled and

waved his hand, and said nothing.

Out of all the mass of people assembled there to do honour to Samba,

one alone there was who did not shout and praise with the rest. This

was the princess's youngest brother, whose sharp eyes had noted

certain things during the fight which recalled his sister much more

than they did her husband. Under promise of secrecy, he told his

suspicions to the other princes, but only got laughed at, and was

bidden to carry his dreams elsewhere.

'Well, well,' answered the boy, 'we shall see who is right; but the

next time we give battle to the Moors I will take care to place a

private mark on our commander.'

In spite of their defeat, not many days after the Moors sent a fresh

body of troops to steal some cattle, and again Samba's wife dressed

herself in her husband's armour, and rode out at the head of the

avenging column. This time the combat was fiercer than before, and in

the thick of it her youngest brother drew near, and gave his sister a

slight wound on the leg. At the moment she paid no heed to the pain,

which, indeed, she scarcely felt; but when the enemy had been put to

flight and the little band returned to the palace, faintness suddenly

overtook her, and she could hardly stagger up the staircase to her own

apartments.

'I am wounded,' she cried, sinking down on the mats where he had been

lying, 'but do not be anxious; it is really nothing. You have only got

to wound yourself slightly in the same spot and no one will guess that

it was I and not you who were fighting.'

'What!' cried Samba, his eyes nearly starting from his head in

surprise and terror. 'Can you possibly imagine that I should agree to

anything so useless and painful? Why, I might as well have gone to

fight myself!'

'Ah, I ought to have known better, indeed,' answered the princess, in

a voice that seemed to come from a long way off; but, quick as

thought, the moment Samba turned his back she pierced one of his bare

legs with a spear.

He gave a loud scream and staggered backwards, from astonishment, much

more than from pain. But before he could speak his wife had left the

room and had gone to seek the medicine man of the palace.

'My husband has been wounded,' said she, when she had found him, 'come

and tend him with speed, for he is faint from loss of blood.' And she

took care that more than one person heard her words, so that all that

day the people pressed up to the gate of the palace, asking for news

of their brave champion.

'You see,' observed the king's eldest sons, who had visited the room

where Samba lay groaning, 'you see, O wise young brother, that we were

right and you were wrong about Samba, and that he really did go into

the battle.' But the boy answered nothing, and only shook his head

doubtfully.

It was only two days later that the Moors appeared for the third time,

and though the herds had been tethered in a new and safer place, they

were promptly carried off as before. 'For,' said the Moors to each

other, 'the tribe will never think of our coming back so soon when

they have beaten us so badly.'

When the drum sounded to assemble all the fighting men, the princess

rose and sought her husband.

'Samba,' cried she, 'my wound is worse than I thought. I can scarcely

walk, and could not mount my horse without help. For to-day, then, I

cannot do your work, so you must go instead of me.'

'What nonsense,' exclaimed Samba, 'I never heard of such a thing.

Why, I might be wounded, or even killed! You have three brothers. The

king can choose one of them.'

'They are all too young,' replied his wife; 'the men would not obey

them. But if, indeed, you will not go, at least you can help me

harness my horse.' And to this Samba, who was always ready to do

anything he was asked when there was no danger about it, agreed

readily.

So the horse was quickly harnessed, and when it was done the princess

said:

'Now ride the horse to the place of meeting outside the gates, and I

will join you by a shorter way, and will change places with you.'

Samba, who loved riding in times of peace, mounted as she had told

him, and when he was safe in the saddle, his wife dealt the horse a

sharp cut with her whip, and he dashed off through the town and

through the ranks of the warriors who were waiting for him. Instantly

the whole place was in motion. Samba tried to check his steed, but he

might as well have sought to stop the wind, and it seemed no more than

a few minutes before they were grappling hand to hand with the Moors.

Then a miracle happened. Samba the coward, the skulker, the terrified,

no sooner found himself pressed hard, unable to escape, than something

sprang into life within him, and he fought with all his might. And

when a man of his size and strength begins to fight he generally

fights well.

That day the victory was really owing to Samba, and the shouts of the

people were louder than ever. When he returned, bearing with him the

sword of the Moorish chief, the old king pressed him in his arms and

said:

'Oh, my son, how can I ever show you how grateful I am for this

splendid service?'

But Samba, who was good and loyal when fear did not possess him,

answered straightly:

'My father, it is to your daughter and not to me to whom thanks are

due, for it is she who has turned the coward that I was into a brave

man.'

(Contes Soudainais. Par C. Monteil.)


Story DNA fairy tale · hopeful

Moral

True courage can be awakened even in the most fearful, often through unexpected circumstances or the influence of others.

Plot Summary

Samba, a prince known for his extreme cowardice, flees his homeland after being publicly shamed. He marries a princess in a new kingdom, but his fear resurfaces during a raid. His wife secretly takes his place in battle, leading the army to victory while maintaining his false heroic image. After she is wounded, she devises a cunning plan to force Samba into battle, where he unexpectedly discovers his own courage and leads his people to a decisive victory. Samba returns a true hero, confessing his past and crediting his wife for his transformation.

Themes

courage vs. cowardicedeception for a greater goodredemptionthe nature of heroism

Emotional Arc

shame to pride

Writing Style

Voice: third person omniscient
Pacing: moderate
Descriptive: moderate
Techniques: repetition of character epithets, direct address to reader (implied through rhetorical questions)

Narrative Elements

Conflict: person vs self
Ending: happy
Samba's armor (symbol of false bravery, then true heroism)the name 'Samba the Coward'

Cultural Context

Origin: French (Sudanese Tales)
Era: timeless fairy tale

The story is attributed to 'Contes Soudainais' by C. Monteil, suggesting an origin or influence from Sudanese oral traditions, likely collected and retold in French. The 'Moors' reference places it in a context where North African or Arab groups were known for raiding.

Plot Beats (14)

  1. Samba is introduced as a prince who is cowardly from childhood, disappointing his father and people.
  2. As a young man, Samba is publicly shamed for his cowardice when he hides during a raid by enemies, earning him the name 'Samba the Coward'.
  3. Unable to bear the shame, Samba flees his homeland and travels north, terrified by the journey.
  4. He arrives in a new city, where a princess sees him and falls in love, insisting on marrying him.
  5. Samba marries the princess, charming her father with his pleasant demeanor, but his wife soon desires him to be a hero.
  6. Moorish thieves raid the city; Samba hides in a cellar, and his wife, disgusted, takes his armor and leads the army to victory in his place.
  7. The princess returns, has Samba put on the armor, and presents him as the hero to the cheering crowd, though her younger brother is suspicious.
  8. The Moors raid again; the princess again fights in Samba's place, is wounded, and returns to trick Samba into wounding himself to maintain the deception.
  9. Samba refuses to wound himself, revealing his deep-seated fear, but the princess wounds him herself and then tells the palace that he was wounded in battle.
  10. The Moors raid a third time; the princess, feigning inability to fight due to her 'wound', tricks Samba into riding out to the assembly point.
  11. The princess whips Samba's horse, sending him uncontrollably into battle against the Moors.
  12. Forced to fight, Samba discovers his inner courage and leads his army to a great victory.
  13. Samba returns a true hero, confesses his past cowardice and his wife's pivotal role in his transformation to his father-in-law.
  14. The king expresses gratitude, and Samba is celebrated as a brave man, acknowledging his wife's contribution.

Characters 5 characters

Samba ★ protagonist

human young adult male

Tall and strong youth

Attire: Initially, fine robes befitting a prince; later, ill-fitting armor

Wearing oversized armor, looking terrified

Cowardly, good-natured, easily influenced, ultimately brave

Image Prompt & Upload
A young adult with a determined expression, standing tall in a confident pose. They have windswept dark hair and wear a practical, earth-toned tunic over dark trousers, sturdy boots, and a leather satchel at their hip. One hand rests casually on their belt. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Princess ◆ supporting

human young adult female

Not explicitly described, but implied to be beautiful and regal

Attire: Fine robes and jewelry befitting a princess; later, Samba's armor

Wearing full armor, face obscured by the helmet

Determined, resourceful, brave, manipulative

Image Prompt & Upload
A young woman in her late teens with kind, gentle eyes and a warm, reassuring smile. Her long, flowing hair is a soft chestnut brown, adorned with small, woven wildflowers. She wears an elegant yet practical gown of dusty rose silk, with delicate embroidery of vines and leaves along the neckline and sleeves. Her posture is relaxed and open, one hand resting lightly on a stone balustrade as she looks forward with a supportive, encouraging expression. She stands in a sun-dappled palace garden corner. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King (Samba's father) ◆ supporting

human adult male

Not explicitly described, but implied to be strong and regal

Attire: Royal robes and jewelry

Kingly crown and scepter

Concerned, hopeful, ultimately grateful

Image Prompt & Upload
A regal man in his late fifties with a neatly trimmed grey beard and kind, wise eyes. He wears an opulent, deep crimson velvet robe with gold embroidery and ermine trim over a white tunic. A heavy golden crown rests on his head of swept-back grey hair. He stands tall with a dignified posture, one hand resting on the pommel of a ceremonial sword at his hip, the other holding a simple wooden scepter. His expression is calm, benevolent, and slightly weary. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The King (Princess's father) ◆ supporting

human adult male

Not explicitly described, but implied to be wise and regal

Attire: Royal robes and jewelry

Sitting on his throne, listening to his daughter

Permissive, easily charmed, values his daughter's happiness

Image Prompt & Upload
A middle-aged man with a dignified posture, standing tall in a grand, ornate robe of deep crimson velvet trimmed with white ermine fur. He has a neatly trimmed graying beard and kind, wise eyes beneath a simple golden crown. His expression is gentle yet regal, one hand resting on the hilt of a ceremonial sword at his side. He wears polished leather boots. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.

The Princess's youngest brother ○ minor

human child male

Not explicitly described

Attire: Princely attire

Peering intently at the armored figure

Observant, suspicious, persistent

Image Prompt & Upload
A young boy of about eight years old with tousled chestnut hair and wide, curious hazel eyes. He is dressed in a finely tailored emerald green velvet tunic with gold trim over cream-colored trousers and soft leather boots. His posture is slightly leaning forward, one hand resting on the hilt of a small, decorative dagger at his belt, his expression one of thoughtful wonder as he looks at something just out of frame. Plain white background, full body visible head to toe, single figure, no watermark, no text, no signature.
Locations 5 locations
No image yet

Samba's Village

outdoor night

A village in a great country far away south, through which flows the river Nile. Huts are present. Herds of animals are kept nearby.

Mood: Initially peaceful, later filled with fear and shame

Samba is publicly shamed as a coward after failing to defend the village from raiders; he flees in disgrace.

huts herds of animals king's stables
Image Prompt & Upload
Golden hour sunset over a vast African savanna, casting long shadows. A cluster of round, thatched-roof huts with mud-brick walls sits along the fertile banks of the wide, slow-moving Nile River. Lush green palms and acacia trees dot the landscape. In the middle distance, herds of cattle and goats graze peacefully on golden grasses. The sky is a gradient of amber, orange, and soft purple, with a few wispy clouds. The atmosphere is warm, tranquil, and timeless. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

The Road North

transitional day and night

A dangerous path filled with rocks and bushes, leading to a distant city.

Mood: Terrifying and lonely

Samba journeys away from his homeland, constantly in fear of wild beasts.

rocks bushes distant city walls
Image Prompt & Upload
A treacherous, winding dirt path snakes through a desolate landscape under a late afternoon sky. The road is littered with sharp, grey rocks and clusters of dry, thorny bushes with dark leaves. Long, dramatic shadows stretch across the ground from the low sun, casting the rugged terrain in deep orange and purple hues. In the far distance, a faint silhouette of a city with tall spires and towers rises from the horizon, partially obscured by a dusty haze. The atmosphere is tense and forbidding, with a sense of vast, empty space. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Princess's City

outdoor afternoon

A large city with walls and a palace. The princess watches the bustling street from the terrace roof.

Mood: Bustling and prosperous

Samba arrives and is noticed by the princess, leading to their marriage.

city walls palace terrace roof crowded streets
Image Prompt & Upload
Golden hour bathes a sprawling medieval city in warm amber light, casting long shadows across cobblestone streets bustling with market stalls and timber-framed houses. Massive stone walls with arched gateways encircle the city, protecting a central palace of white marble and blue-tiled domes. The palace's highest terrace roof offers a panoramic view over the city's red rooftops, chimneys, and winding lanes. Flower boxes adorn windows, and distant mountains frame the horizon under a soft, peach-colored sky. No border, no frame, no watermark, no text, no signature, edge-to-edge illustration.
No image yet

The Flat Roof

transitional

A flat roof of a house, overlooking a crowd of cheering people.

Mood: Triumphant and deceptive

Samba is presented to the crowd as a hero, while his wife has actually done the fighting.

flat roof crowd of people
Image Prompt & Upload
A weathered flat rooftop at sunset, overlooking a distant town square filled with the warm, flickering glow of countless lanterns and torches. The sky is a gradient of deep orange and purple, with the first stars appearing. The rooftop has old, slightly uneven terracotta tiles and a brick chimney casting a long shadow. A gentle breeze rustles a forgotten linen cloth near the edge. The air is clear, and the festive, golden light from the unseen crowd below illuminates the underside of a few passing clouds. The perspective is from the roof's edge, looking out over the slate and thatched rooftops of the town to the vibrant, luminous gathering. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration
No image yet

Battlefield Outside the City

outdoor day

Open area outside the city walls where the city's warriors clash with Moorish raiders.

Mood: Chaotic and dangerous

Samba accidentally finds himself in battle and discovers his courage, leading to victory.

horses swords Moorish chief's sword
Image Prompt & Upload
Sunset casts long shadows across a vast, trampled field outside high stone city walls. The sky blazes in deep oranges and purples, thick with dust and smoke from recent battle. Broken wooden siege ladders and tattered Moorish banners litter the churned, muddy earth. Scattered abandoned swords and dented shields glint dully in the fading light. The grass is flattened and scorched in patches. In the distance, the city's watchtowers are silhouetted against the fiery sky, their gates firmly shut. A lone, gnarled tree stands skeletal near a dry ditch, its branches bare. The air feels heavy, still, and silent. no border, no frame, no watermark, no text, no signature, edge-to-edge illustration